![]() Robin takes Alice under wing to teach her how to be single and hilarity ensues. She then moves to New York to work as a paralegal and meets Robin (Rebel Wilson), who is confident and promiscuous in equal measure. With its glorious thematic treatment of sisterhood and friendship, the film was a box office hit in its home country and Netflix has even announced a sequel is on the horizon.īased on the best-selling novel about modern dating and relationships by Liz Tuccillo, How to Be Single gives a 101 on how to have fun as a single woman living in the big apple.Īt the start, Alice (Dakota Johnson), staring into the abyss of a lifetime of monogamy, suggests to her longtime boyfriend Josh that they should see what it’s like to date other people. ‘Happiness Is a Four-Letter Word’ (South Africa, 2016)īased on the novel of the same name by Nozizwe Cynthia Jele, Happiness Is a Four-Letter Word is a heart-warming romantic drama that tells the story of three female friends - a glamorous trophy housewife, a lawyer, and an art gallery owner - trying to find happiness in South Africa. In fact, they made up just 4.5% of leads or co-leads among the top 10 grossing US films from 2010 to 2019.Ĥ. The movie, which topped the box office in its first weekend, has been celebrated for its three-dimensional characters, offering meaty roles to Asian and Asian-American actors who remain underrepresented in Hollywood. With the dazzling backdrop of Singapore’s 1%, Crazy Rich Asians dives into what family and tradition really mean, and how (no spoilers) love conquers all. ![]() But the film is also a field guide to the peculiar inner workings of a tween girl's mind. ‘Angus, Thongs, and Perfect Snogging’ (UK, 2008)Īngus, Thongs, and Perfect Snogging follows Georgia and her friends, Jas, Ellen, and Rosie as they navigate teenage life on England’s southeast coast. The achingly relatable closeted girlfriend experience is scored by queer pop Christmas tunes from the likes of Sia and sister act Tegan and Sara.Ģ. Harper asks Abby to pretend to be her straight “brave orphan friend,” to which Abby reluctantly agrees. Harper takes Abby home to meet her conservative family at Christmas but reveals to Abby on their way there that she hasn’t yet come out to her relatives. ![]() Written and directed by Clea DuVall, it stars Kristen Stewart (Abby) and Mackenzie Davis (Harper) as the leading lady-lovers. Kicking things off is Happiest Season, a film from the massively undersung sub-genre of lesbian romcom (there are painfully few of them). Here are some romantic comedies from around the world that pass the Bechdel test - and if this list leaves you wanting to watch, head to the Global Citizen app and take our Movie Buff: Bechdel Rom-Coms challenge to get involved. From closeted lesbians to aspiring playwrights and mothers to besties, three-dimensional female characters do exist and have meaningful exchanges with their equally distinct and believable female peers. But a number of romcoms do meet the criteria. The world of film reflects this inequality back at us, with many films still failing to meet the Bechdel standard (just under half of all films according to the user-edited database).Īt first glance, romantic comedy is not a genre that seems like it would fit the Bechdel bill. Why? A few reasons, not least a global pandemic, conflict, cost-of-living crises, climate change, and a harsh backlash against progress for women’s rights. In fact, it may take another 286 years to achieve complete gender equality. In the past 40 years, the first woman, Sandra Day O'Connor, was appointed to the US Supreme Court Sally Ride became the first American woman in space the Guerilla Girls took the cause to the Met Junko Tabei climbed the Seven Summits the Take Back the Night Foundation came to life Rwanda became the first country with a majority-female legislature the ban against Saudi Arabian women driving was lifted #MeToo happened, Malala Yousafzai won the Nobel Peace Prize and the first-ever woman won the Oscar for Best Director.Īccording to a 2022 report by UN women, however, the world is far from on track to achieve gender equality by 2030, as is the aim of the UN’s Global Goal 5 for gender equality. Some would say that both films and gender equality have come a long way since the 80s. After gaining popularity for its simplicity, the critique was applied to what was the very male-dominated film industry of the 1980s and has been used as a litmus test of gender equality in the film industry ever since.
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